Discostan and Radio Sombra present LA FOR GAZA, a benefit event mobilizing socially conscious artists to assist the civilians of Gaza in the aftermath of the most recent 50-day conflict.

All funds will be donated to Palestine Children’s Relief Fund.

Music
NGUZUNGUZU
Nguzunguzu’s (pronounced en-goo-zoo-en-goo-zoo) otherworldly productions weave energetic polyrhythms, eerie melodies, and dramatic soundscapes to create a new emotive electronic club realm that is sad, sexy, and scary. Raised on 90s R&B/Hip-Hop radio and underground club music, the Los Angeles based duo (Asma Maroof and Daniel Pineda) dig deep to complement the explicitly experimental modern sounds of international club music with some of the freshest urban pop happening now.

OMAR OFFENDUM
Omar Offendum is a Syrian American hip-hop artist and peace activist. He was born in Saudi Arabia, raised in Washington, DC, and now lives in Los Angeles, California. He tours the world performing at international music festivals, lecturing at major academic institutions and fundraising for humanitarian relief organizations. Most recently Offendum has been involved in creating several critically acclaimed songs about the popular democratic uprisings throughout the Middle East & North Africa.

AWESOME TAPES FROM AFRICA
Through his blog, Awesome Tape From Africa, Brian Shimkovitz proves the point over and over again. While researching the local music scene in Ghana on a Fulbright scholarship, Brian discovered the regional cassette tape merchants. Upon listening and realizing that the music was often unlike anything else going in the globe, he decided to put some of the songs up on a blog he eloquently dubbed Awesome Tapes From Africa. Thus began the eternal quest for strange, and quite often incredible African cassettes. Since then, the blog has developed a cult following, and Shimkovitz often finds himself DJing his collection at parties all over the globe. He often DJ’s using only cassette decks, and to further his populist approach, every song he plays is available to download on the blog.

DISCOSTAN
Discostan is a funky dance party in Los Angeles, every second Wednesday of the month, featuring Bollywood, Balkan, bhangra, Algerian raï, Arabic dabke, silky soukous, Persian pop, and all manner of delights from Beirut to Bangkok via Bombay.

LIVE PAINTING AND INSTALLATIONS:

Shrine
Shrine is a muralist and installation artist whose large-scale temples and shacks are made from trash and found objects. His intention is to build highly inspiring spaces built from ordinary materials such as wood, glass bottles, cans, cardboard, and plastic bottles. His towering sculptures have become fixtures at art and music festivals across the world,most notably at Burning Man and Coachella Valley Music and Arts Festival. He has exhibited at Yerba Buena Arts Center in San Francisco and, most recently, the Craft & Folk Art Museum in Los Angeles. Shrine also has ongoing social practice art projects in Haiti, India, and Kenya.

Aly Kouroma
Graffiti artist Aly Kourouma is Fulani from his mother and Malinke from his father, Guinean by birth and Senegalese by adoption, raised with 4 different languages, and immersed in a heavy French-Catholic brainwashing education system. In that maze of cultural possibilities, the murals of the N’debele women of Southern Africa are a great inspiration to him in the ways they merge tribal art with urban iconography. That fuzzy area between indigenous and urban cultures is his favorite playground.

WHAT HE SOUNDS LIKE

WHY YOU SHOULDN’T MISS HIM
When Denzel Curry arrived on the scene in a big way on the web. Most widely praised for his old-school 90’s hip hop sound, he’s recently released his first album, Nostalgia 64, which has his attitude, quick and skillful lyrics and smooth flow in abundance. Don’t sleep on this dude. checking out!
WHEN
9/25 at Echoplex
WHAT THEY SOUND LIKE

WHY YOU SHOULDN’T MISS THEM
Monarchy is an electronic duo from London who, after years of remixing for other artists, released a debut 2010 album that catapulted their careers—leading them to play shows at festivals such as Coachella and the like (including many in England). After dropping another LP in 2011, they decided to release an EP called Almost Human this year, on which the title track is both beautiful and coldly electronic. Their music has been described as a cross of “Daft Punk and Scissor Sisters” and by the sound of this new record, you are definitely going to want to see them perform live!
WHEN
9/18 at The Echo
Lee “Scratch” Perry at Dub Club
August 27, 2014
Photos by Carl Pocket, more photos on Flickr

Lee “Scratch” Perry at Dub Club
August 27, 2014
Photos by Carl Pocket, more photos on Flickr

WHAT THEY SOUND LIKE

WHY YOU SHOULDN’T MISS THEM
When Death Valley Girls released their first album, it was a casette-only release on Burger Records. And based on that move, their music sounds exactly as you’d expect: grungy and punky with tons of attitude. They’re girls (mostly), and they kick major ass. Special things coming.
WHEN
September 30th with Wand / La Luz
How to Dress Well at the Echoplex
August 22, 2014
Photos by Carl Pocket, more photos on Flickr

How to Dress Well at the Echoplex
August 22, 2014
Photos by Carl Pocket, more photos on Flickr

Mike Watt in Conversation with Avi Buffalo

In anticipation of our show with Il Sogno Del Marinaio, we asked our good friend Avi Buffalo to interview the influential Minutemen / Dos / fIREHOSE and now Stooges bassist, Mike Watt.



Avi’s Note: Of course being a fan, and having myself been inspired by Watt, I was more than stoked to ask him questions about playing music, life and inspiration! Since I was a teenager, he’s been an important musician for me to see live as much as possible and he will continue to be for me and many people as long as he is on this earth.
Check out the new Il Sogno del Marinaio record featuring phenomenal guitarist Stefano Pilia and super drummer Andrea Belfi. It is their second album, fittingly titled Canto Secondo. The music is a mind and ear-tricking mix of punk and jazz fundamentals, with an upfront poetic twist. Stefano’s guitars pull you left and right while Watt locks tight to Andrea’s drums and recites lyrics over it.

What is the best part about playing music to you?

Initially, making music with my friend, [Minutemen guitarist D. Boon] was the best part about it, and after he died I didn’t know what to do. But people like Thurston Moore, Kira Roessler (DOS), Saccharine Trust, George Hurley (fIREHOSE) and Ed Crawford (fIREHOSE), all kept me into music and “put me back on the horse” by asking me to join them in making music after that loss. Then I went on to make “Ballhog or Tugboat,” and other rock operas, and lots of other albums. So the best part about playing music is to keep learning.

How do you stay inspired to practice and what chops do you find important to keep up?

Chops don’t matter to me as much. When I’m working on songs, I’m working on songs. When I want to practice to be good and comfortable on the bass, I improvise. When D. Boon and I were growing up there was a cool guy who lived in his van named Ray Mendez Lopez who showed us some things about playing music, and he made a very big point to us that practicing was very important. That was a work ethic I was taught. Raymond Pettibon taught us a lot about jazz, and a lot of friends we had in the punk scene starting out were into jazz. When getting good at music it seems to be a bit a mix of luck, and then following a discipline after from the excitement of it.

Does having many projects to work on cause new perspectives?

The first album with Il Sogno del Marinaio, La Busta Gialla, came about after having been invited to play a festival in Cesena. Stefano first wrote me and asked if I’d join him and a drummer he knew, Andrea, and we ended up getting together in a studio in the middle of the resulting six gig mini-tour and making that record back in 2009. For this new album, Canto Secondo, after now having known each other more and having done a european tour for La Busta Gialla the year before, we took eight days last December to record at a studio called Vacuum that’s in an old barn outside of Bologna, Italy. Anyway, all those shifts in projects and changes in environments change a lot and teach you a lot.

When you play with The Stooges, who do you listen to or what influence do you draw from to do those songs justice?

When I’m playing bass for Stooges songs, I’m following after the original Stooges bass players (Dave Alexander, Jimmy Recca, Zeke Zettner), and I listen heavily to their records to play their parts well. It can be very hard sometimes because of their feel! I was very inspired by punk bassists growing up, and the rock stuff from England was very pro-bass. People like John Entwistle, Jack bruce, Geezer Butler and Trevor Bolder I could hear the bass louder in recordings and got into their playing when I first started playing bass. U.S. guys that influenced me much were James Jamerson, Larry Graham, and Bootsy from R&B.

Il Sogno Del Marinaio’s Canto Secondo out now via Clenchedwrench.
Avi Buffalo’s, At Best Cuckold out now via Sub Pop.
WHAT HE SOUNDS LIKE

WHY YOU SHOULDN’T MISS HIM
Arca is most well-known for producing on both Kanye West’s Yeezus and FKA twigs EP2. But in 2012 he also embarked on a solo DJ career with two EPs which were praised for their complexity that was balanced by dreaminess. Now he has released his first DJ “mixtape” &&&&&. The mix has been incredibly well-received as it is noted for its darker tones but steadfast other-worldliness. This man is the future.
WHEN
September 25th at First Unitarian Church w/ Visual mastermind Jessie Kanda
Benjamin Booker at the Echo
August 21, 2014
Photos by Carl Pocket, more photos on Flickr

Benjamin Booker at the Echo
August 21, 2014
Photos by Carl Pocket, more photos on Flickr

WHAT THEY SOUND LIKE

WHY YOU SHOULDN’T MISS IT
Merchandise hail from Tampa, Florida and released over a dozen EPs and records in the past four years. Their albums received huge praise from the lauded likes of Pitchfork and SPIN. They’re amazingly post-punk so you can dance and rock out for an all-around good time!
WHEN
September 27th at The Echo
WHAT THEY SOUND LIKE

WHY YOU SHOULDN’T MISS THEM
JEFF the Brotherhood really is two brothers and they really rock. Together, they founded the band while still in high school and have turned out over five albums since. Their music is in a league with Ty Segall, having worked with him and being described as having a similar psych/garage rock sound. So come on out and see them at the Echo and get ready for a major jam session for you to groove to!
WHEN
September 26th at The Echo
The Naked and Famous at the Echoplex
August 21, 2014
Photos by Carl Pocket, more photos on Flickr

The Naked and Famous at the Echoplex
August 21, 2014
Photos by Carl Pocket, more photos on Flickr

WHAT HE SOUNDS LIKE

WHY YOU SHOULDN’T MISS HIM
Tomas Barfod is a Danish DJ and producer who makes incredibly dreamy/ethereal electronic music. He began as a drummer, but moved from drums to DJing when he created the electronica duo Filur (with Kasper Bjorke). Since then he has released two solo albums (the latter of which came out this summer) which remain true to his more rave-style past but with vocals that are brooding and emotional—majority of which are done by Nina K. His music is incredibly layered and far too multi-faceted to just be called dance music but it certainly is dance-inducing!
WHEN
September 12th at The Echo
Pandora Presents Summer Crush at the Santa Monica Pier 
with Iggy Azalea and Rita Ora
August 9, 2014
Photos by Oliver Scherillo, more photos on Flickr

Pandora Presents Summer Crush at the Santa Monica Pier
with Iggy Azalea and Rita Ora
August 9, 2014
Photos by Oliver Scherillo, more photos on Flickr